TH E O K ID






TH E O K ID is a collection of sounds made in the New Temple of Planetary Transcendence from May 2012 - April 2013. NoFace Prophet Ollie Kaufmann pens poetry guised as rap over psychedelic jazz influenced electronic beats produced by either NoFace Prophet and BLQ MJK head producer QABALA th LOK, or close NoFace associates and electronic producers from the Allston underground including: LiL TExAS and CZ from M|O|D, MODULOKTOPUS, Atwell Baker, Avila Santo, Pon(d)Scum, Victory Garden, Cameron Steele, and Shaky Lion.

Ex-classmate from James Logan High School in Union City has been working on tracks in Boston.  Give it a listen.  If you're into the sounds the above blurb describes, this is for you.  Kaufmann references to pop culture & "intellectual themes" fast, faster than your mind can race awake in the morning, staring up into the ceiling with insomnia.  Stay with his flow, weaving in & out of the excellent meticulously crafted beats, constantly changing, evolving, breathing.  You will not be disappointed.  This truly has been a labor of love by a team of talented individuals.

& try out some of music videos, like Jeune Sartre:

An homage to Marcel Duchamp, the Dada movement, Karl Marx and various other influences of Ollie Kaufmann. Jeune Sartre is a single off of Ollie's up and coming album 



& goddamn, it makes me proud to see my classmates do well with their artistic endeavors.  It’s a fantastic feeling.


Comments

Post a Comment

Popular posts from this blog

My Letter to Markiplier After His Curtis Lepore Collab

Hey Mark. You're probably not going to see this, given every bit of a mail you get, but I have to get this off my chest.  & you have to know what's happening.  What’s REALLY happening. Let me start off with this: I have been a committed fan since September 2012.  I have been an active member of the community on Tumblr [I remember when it was EMPTY & literally only me & six other people posting videos.]  I have been to a number of livestreams & donated to a number of charities.  I’ve been a part of many Facebook groups that have come & gone.  & I have gotten to know other Markiplier fans in schools & communities that I have been in.  Believe me when I say that I adore you & this channel.  You inspire me to be a better person with your charity work.  You have been the reason I keep going through tough times in my life.  You have been a motivation for us all. However, I have a multitude of issues...
Read more

re: VIDEO-GAMING / LP SERIES - This did not age well

Image
I forgot this blog existed. My life is so utterly different now. I used to maintain this blog as a middle schooler, then for a variety of arts classes two colleges ago (you can imagine the cringe I deleted at that time to save face). It was an outlet to my fixations at the time, one of them being the rise of Let's Player content and Gaming Personalities on YouTube.  I was a fan of many content creators. Unfortunately, almost all of them have been subject to extreme scrutiny and various cancellation attempts - for a variety of Valid reasons. I will get into this, don't worry. I have since deleted and/or privated posts singing the praises of these content creators. I don't make those decisions lightly. And in my mind, there's a difference between being embarrassed at the "cringe" nature of my "takes" a decade ago, and wanting to remove any content that praises people who have since been outed as groomers, predators, abusers, racists, and even fascist...
Read more

controversial essay response

Discussion prompt: In this module, we briefly touched on the topic of compassion fatigue as it relates to public exposure to images of war and human suffering. With these sources in mind, consider the following question: Can compassion fatigue be reconciled with the need to bear witness? Is it possible to bear witness and reach an audience despite the risk/existence of compassion fatigue?   Use examples from the module content to illustrate your argument. Another element must be considered in order to bridge the gap between the two extremes of bearing witness and experiencing compassion fatigue.  Simply witnessing or exposing situations falls short of what is truly required.  An event doesn’t just need to be perceived; there needs to be a call to action.   If there is no nuance, no greater purpose, exposing or recalling an event becomes repetitive at best, exploitative at worst.  But sadly the formula for conflict photography (identify conflict area, photo...
Read more